BoS artists’ statement of withdrawal

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STATEMENT OF WITHDRAWAL
26 February 2014

We are five of the 37 artists – Libia Castro, Ólafur Ólafsson, Charlie Sofo, Gabrielle de Vietri and Ahmet Öğüt – who signed a letter to the Board of the Biennale of Sydney in relation to their founding sponsor, Transfield.

We make this statement in light of Transfield’s expanding management of Manus Island and Nauru immigration detention centres. We act in the wake of the death of Reza Berati from inside Manus Island detention centre on February 17. We are in urgent political circumstances with a government that is stepping up their warfare on the world’s most vulnerable people daily.

We have received indications from the Board of the Biennale and Transfield that there will be no movement on their involvement in this issue. In our letter to the Board we asked for action and engagement, but we are told that the issue is too complex, and that the financial agreements are too important to re-negotiate.

And so we make this statement from a critical juncture of political urgency and artistic autonomy.

This is a statement of our withdrawal from the 19th Biennale of Sydney.

We have revoked our works, cancelled our public events and relinquished our artists’ fees. While we have sought ways to address our strong opposition to Australia’s mandatory detention policy as participants of the Biennale, we have decided that withdrawal is our most constructive choice. We do not accept the platform that Transfield provides via the Biennale for critique. We see our participation in the Biennale as an active link in a chain of associations that leads to the abuse of human rights. For us, this is undeniable and indefensible.

Our withdrawal is one action in a multiplicity of others, already enacted and soon to be carried out in and around the Biennale. We do not propose to know the exact ethical, strategic or effective action to end mandatory detention, but we act on conscience and we act with hope.

We have chosen to redirect our energies into multiple forms of action: discussions, workshops, publications, exhibitions and works that will continue to fuel this debate in the public sphere. In this, we stand with our local and international communities that are calling for the closure of Australia’s offshore detention facilities. We ask for their active support in keeping this issue at the forefront of our minds, in the warmest part of our hearts, in the most urgent of discussions and in the most bold of actions, until the detention centres on Manus Island and Nauru close.

We withdraw to send a message to the Biennale urging them, again, to act ethically and transparently. To send a message to Transfield that we will not add value to their brand and its inhumane enterprise. Finally, and most importantly, we withdraw to send a message to the Australian Government that we do not accept their unethical policy against asylum seekers.

We ask that the Biennale of Sydney acknowledge the absence of our work from the exhibition. As the Biennale has offered to provide a platform and support for our dissent, we request that our withdrawal be registered on the Biennale website and signposted at the physical site of our projects. In the pervasive silence that the Government enforces around this issue, we will not let this action be unnoticed.

We act in solidarity with all those who are working towards a better future for asylum seekers. We hope that others will join us.

Libia Castro
Ólafur Ólafsson
Charlie Sofo
Gabrielle de Vietri
Ahmet Öğüt

More here.

BoS artists’ statement of withdrawal

Transfield and the Biennale of Sydney – 3 Helpful Articles

Above: the only response to date from the Biennale of Sydney regarding demands to drop Transfield sponsorship
Above: the only response to date from the Biennale of Sydney regarding demands to drop Transfield sponsorship, posted on the Biennale of Sydney’s Twitter feed

Helen Hughes offers an overview of the current situation and call for action for Frieze.

Biennale of Sydney artists Bianca Hester, Nathan Gray, Gabrielle de Vietri and Charlie Sofo speak out against Transfield sponsorship in the Daily Review.

Helen Razer assesses the call for a boycott in the Daily Review.

Transfield and the Biennale of Sydney – 3 Helpful Articles

Secret Cat Business


Included in Three Imaginary Boys, the current group show at Neon Parc is Cats (above), a recent video by Charlie Sofo that also features in the current Anne Landa Award exhibition at the Art Gallery of New South Wales.

Sofo is a collector.  He wanders the streets of Melbourne accumulating objects – like little rocks he picks out of his shoe.  These are presented on the floor at Neon Park beneath a Perspex case as artefacts of his travels.

Charlie Sofo, 'Objects found in my shoe, March to May 2011', rock, metal, seeds, acrylic 46 x 51 x 21 cm, 2011

Sofo also collects moving images.  In this instance, of cats in the Northern suburbs of Melbourne.  The video’s premise is simple, it’s a series of quick, uniform cuts, in which the artist zeros in on unassuming felines one by one, interrupting them as they go about their secret cat business.  The work’s very funny, strangely voyeuristic and wonderfully rhythmic too, with the clack of the camera’s quickly executed zoom syncopating each cut.

We live in the age of YouTube, where clips of cats jumping into boxes receive thousands of hits a day.  Sofo’s video plays with these amateur trends yet also transcends them.  Cats is part of the wandering artist’s much bigger project.  Quietly and tenderly he finds patterns in the everyday, accumulating collections of things that all too often go unnoticed.

Three Imaginary Boys, Neon Parc, 1/53 Bourke Street, Melbourne, until July 9th.

Secret Cat Business

Want to sleep with an artist?

Charlie Sofo's bed

Melbourne-based artist Charlie Sofo has a new project on the boil called B.E.D.  He wants to sleep in your bed for a night, with you in it.

He says, ‘I think this is very difficult for me and it might be a difficult thing for you also. I don’t consider myself a light sleeper, but I’ve always found that I’m particularly aware of the person I’m sleeping with. In terms of this project, what’s important is the possibility that two people can spend a night together, in a bed’.

If you’re game, get in touch – charliesofo (at) gmail dot com.

Want to sleep with an artist?