This time care of the late Polish artist Wojciech Bruszewski
(via A Sound Awareness).
Pina was unequivocally Leg of Lamb’s top film of 2011. Director Wim Wenders’ homage to the late German dancer and choreographer Pina Bausch (who died suddenly, two days before filming commenced) is an exuberant celebration of the artist’s life and practice. In the film, members of the Pina Bausch dance company (the Tanztheater Wuppertal) perform excerpts from some of the choreographer’s key pieces in and around her home town. Bausch embraced the big themes – love, joy, despair – with a disarming degree of sensitivity and humour, and the film is a moving testament to the dancer and her legacy. The same can’t be said of a more recent tribute.
Late last year, AnOther Magazine commissioned a short film (above) featuring Rachel Weisz to coincide with the launch of their Winter issue. Directed by Craig McDean, Weisz’s series of ‘non-narrative micro performances’ were directly inspired by Pina. But let’s face it, whacking on some lippie and staggering around in a pretty dress just isn’t going to cut it…
Three years ago, American director Alison Klayman began shooting a feature-length documentary on Ai Weiwei. Ai Weiwei: Never Sorry charts the Chinese artist’s preparation for major museum shows (including ‘Sunflower Seeds’ at Tate Modern), his down-time with family and his intensifying clashes with authorities. Ai’s incarceration in April this year was obviously a major turning point for the project, drastically altering its course and context. Now in post-production, you can contribute to the realisation of Ai Weiwei: Never Sorry by making a donation here, and stay up to date with the latest developments on Twitter.