Bight of the Twin

LOL hero Genesis Breyer P Orridge is involved in a new film project about voodoo.  Directed by Hazel Hill McCarthy III, Bight of the Twin explores the relationship between Vodun and Western secular art and performance. Focusing on Vodun culture in Ouidah, Benin, McCarthy’s research had particular resonsance for P Orridge following the discovery of the ‘twin fetish’ and its associated rituals, which have curious interrelationships with P Orridge’s own practice and relationship with her late partner, Lady Jaye.  P Orridge is recorded participating in twin fetish ceremonies, reactivating his bond with Jaye, and in the process, creating a film that becomes voodoo in its own right. Bight of the Twin is still in development with a second trip to Benin scheduled for later this year. If you want to support this project and generate some voodoo as well, you can donate here, but do it quickly – the campaign closes on November 22nd.

Bight of the Twin

Tsai Ming-Liang – Stray Dogs at the Museum

Entry to MoCAD
Entry intoTsai Ming-Liang’s ‘Stray Dogs at the Museum’ exhibition at MoNTUE; totally overrun by fragrant foliage

Stray Dogs at the Museum by Malaysia-born, Taiwan-based film maker Tsai Ming-Liang was a stand out show I encountered during my recent trip to Taipei, supported by the Ian Potter Foundation. Tsai’s feature film Stray Dogs won the Grand Jury Prize at the 70th Venice Film Festival in September last year and his exhibition at university space MoNTUE featured vignettes from the film installed in galleries overrun by shrubby off-cuts of foliage, providing not only a dramatic backdrop but a distinctly earthy odour.

A solitary figure condycts simple, eeryday rituals
Simple rituals performed by a solitary figure are split across three screens. Accumulations of leaves pile in the corners of the space.

Each screen in the exhibition was modified by the artist; crushed, rubbed with charcoal, recalling the traditions of scroll painting. The footage featured a solitary figure enacting simple, everyday rituals – sucking on chicken bones, squatting and smoking, staring into the distance – imagery that is at once exotic and resoundingly familiar. This was a beautiful, simple, poetic foil to the earnest, documentary style traditions that seem to proliferate in Taiwanese video art.

Tsai Ming-Liang – Stray Dogs at the Museum