Robert Leonard, Chief Curator of the City Gallery, Wellington
“These days curating is show business. But I’m not so sure that shows today are that curatorially extroverted. I don’t see many shows where curators take the lead, where they foreground themselves. Many curators are slaves to their directors, to artists, or both. While I was in Australia, I was surprised by how many big museum shows were conceptualised and driven by directors, with curators (often teams of them) simply tasked to deliver them. On the other hand, with the solo shows with major artists, the artists tended to have veto over everything, so curators didn’t enjoy much freedom there either. I worry that the idea of curators as authors has been downgraded. I’d like to see more extroverted curating.”
From a great interview with Robert Leonard in Ocula.
LOL hero Genesis Breyer P Orridge is involved in a new film project about voodoo. Directed by Hazel Hill McCarthy III, Bight of the Twin explores the relationship between Vodun and Western secular art and performance. Focusing on Vodun culture in Ouidah, Benin, McCarthy’s research had particular resonsance for P Orridge following the discovery of the ‘twin fetish’ and its associated rituals, which have curious interrelationships with P Orridge’s own practice and relationship with her late partner, Lady Jaye. P Orridge is recorded participating in twin fetish ceremonies, reactivating his bond with Jaye, and in the process, creating a film that becomes voodoo in its own right. Bight of the Twin is still in development with a second trip to Benin scheduled for later this year. If you want to support this project and generate some voodoo as well, you can donate here, but do it quickly – the campaign closes on November 22nd.
Posted in Art, Artists, Film, Music
Tagged Benin, Bight of the Twin, Genesis Breyer P Orridge, Hazel Hill McCarthy III, Lady Jaye, Ouidah, vodun, voodoo
IN SPACE NO ON CAN HEAR YOU COLLECT ROCKS:
23rd October – 29th November 2014
Opening Night: Thursday 23rd October 6-8pm
Rohan Wealleans, Palaver of Peril, 2012, colour photograph, 143 x 117 cm
New Zealand artist Rohan Wealleans creates paintings and sculptures comprised of multitudinous layers of house paint that are then incised to reveal the multi-coloured excavations beneath. The resulting paint chips generated by this process often become art objects in their own right. For Mailbox, they are presented as specimen-like curiosities, and as body adornments in photographs featuring Wealleans-styled naked alien babes. Part ‘geologist’, part voyeur, Wealleans always inhabits multiple guises.
Curated by Serena Bentley.
Rohan Wealleans is represented by Ivan Anthony Gallery, Auckland; Hamish McKay Gallery, Wellington and Roslyn Oxley9 Gallery, Sydney.
MAILBOX is an Artist Run Initiative 141-143 Flinders Lane Melbourne, VIC 3000 AUSTRALIA
Entry intoTsai Ming-Liang’s ‘Stray Dogs at the Museum’ exhibition at MoNTUE; totally overrun by fragrant foliage
Stray Dogs at the Museum by Malaysia-born, Taiwan-based film maker Tsai Ming-Liang was a stand out show I encountered during my recent trip to Taipei, supported by the Ian Potter Foundation. Tsai’s feature film Stray Dogs won the Grand Jury Prize at the 70th Venice Film Festival in September last year and his exhibition at university space MoNTUE featured vignettes from the film installed in galleries overrun by shrubby off-cuts of foliage, providing not only a dramatic backdrop but a distinctly earthy odour.
Simple rituals performed by a solitary figure are split across three screens. Accumulations of leaves pile in the corners of the space.
Each screen in the exhibition was modified by the artist; crushed, rubbed with charcoal, recalling the traditions of scroll painting. The footage featured a solitary figure enacting simple, everyday rituals – sucking on chicken bones, squatting and smoking, staring into the distance – imagery that is at once exotic and resoundingly familiar. This was a beautiful, simple, poetic foil to the earnest, documentary style traditions that seem to proliferate in Taiwanese video art.
Instagram for the latest happy snaps.
LOL leaves for a two week research trip to Taipei and Manila today (thank you Ian Potter Foundation/employers!) to check out the above, amongst other things. Keep an eye on
Saul Steinberg, ‘Girl in Bathtub’, 1949