He raps, he acts, and now it seems that Andre 3000 (one half of hip hop duo Outkast) is turning his hand to drawing. In a recent New York Times interview he stated:
“Seven [his son] and I hate folding clothes, so we’d always take all of our clean clothes and just put ’em on the table. One day, I was like, “Man, we living like college students.” I got so fed up with [the mess]. I drew it. [He pulls out iPhone and flips through some sketches.] I see me moving into a visual space.”
Here’s hoping the results are better than his fellow rapper Pharrell’s recent curatorial efforts at Gallerie Perrotin…
On Wednesday the current Jeff Koons retrospective at the Whitney was interrupted by an unscheduled intervention when a man splashed red liquid across one of the gallery walls before signing it with a marker. The ‘performance’ was over in a matter of minutes: Koons’ big shiny things were unscathed, the man was led away by security, and the gallery was closed for a couple of hours while it was repainted.
Turns out the vandal in question is a Toronto-based performance artist called Istvan Kantor who goes by the pseudonym Monty Cantsin. He works largely with body fluids and is best known for spattering large ‘X’s’ of his own blood onto gallery walls. Past targets include the Museum of Modern Art in New York, Canada’s National Gallery in Ottawa and the Hamburger Bahnhof in Berlin, among others. Despite multiple arrests for these self-described ‘donations’, the artist has stated that his anti-institutional ‘blood campaign’ is ongoing…
A controversial sculpture by the Chapman brothers has been removed from a permanent collection display at Rome’s contemporary art museum, MAXXI. The work in question (above) that features two young, naked parasitic twins, one with a penis sticking out of her mouth, has come under fire from a children’s rights group who denounced the piece as child pornography. MAXXI director Anna Mattirolo defended the work, stating: “Crudity is part of the Chapmans’ work, they are known for works that denounce a sick reality. They want to generate discussion about false morality and provoke debate and we firmly believe and support the freedom of expression of the artists.” Despite this, the museum ended up removing the work over the weekend.
Chinese artist Cai Guo-Qiang is in trouble for disrespecting the tortoise. His new work ‘Moving Ghost Town’, commissioned as part of opening festivities for the new Aspen Art Museum, involves a troupe of live African Sulcata tortoises wandering around the museum’s new rooftop sculpture garden with ipads mounted to their backs. The ipads display footage recorded by the creatures themselves (thanks to shell-mounted cameras) wandering through three local ghost towns, “retelling forgotten stories of the once prosperous towns from the tortoises’ perspective”, or so says the Aspen Art Museum’s website.
But local tortoise rehabilitator Lisabeth Oden is not impressed, stating “These creatures were not designed to carry 2-pound iPads”. She’s even set up a Change.org petition to have the devices removed and has so far amassed over 400 signatures. According to a statement released by Aspen Art Museum yesterday however, the exhibition will continue as planned. The welfare of the tortoises Big Bertha, Gracie Pink Star, and Whale Wanderer is being monitored by a local veterinarian in consultation with the Turtle Conservancy, an organisation dedicated to protecting endangered turtles and tortoises.