Vacuous popster Miley Cyrus and one of her horrible sculptures
“I did the pineapple because you know what they say about pineapple, right? If you drink a lot of pineapple juice you’re going to have yummy cum. So that’s why I put it on the dick with a bunch of babies, and it says, ‘Fuck.’ I try to think about everything so it has a story to me.”
Miley Cyrus discusses the sculptures she’s created for her forthcoming exhibition, Dirty Hippie at V Magazine’s office gallery in Manhattan. God help us.
Jake and Dinos Chapman, ‘Piggyback’, 1997
A controversial sculpture by the Chapman brothers has been removed from a permanent collection display at Rome’s contemporary art museum, MAXXI. The work in question (above) that features two young, naked parasitic twins, one with a penis sticking out of her mouth, has come under fire from a children’s rights group who denounced the piece as child pornography. MAXXI director Anna Mattirolo defended the work, stating: “Crudity is part of the Chapmans’ work, they are known for works that denounce a sick reality. They want to generate discussion about false morality and provoke debate and we firmly believe and support the freedom of expression of the artists.” Despite this, the museum ended up removing the work over the weekend.
‘La mia ceramica, Tempo’, 1939
‘Madonna Con Il Bambino’,1954
Damien Hirst, ‘The Virgin Mother’, 2005
Long Island residents are up in arms over Damien Hirst’s hideous bronze sculpture The Virgin Mother – a ten metre high representation of a naked pregnant woman complete with glaring red cutaways of her innards. The work has been installed on the grounds of the historic A. Conger Goodyear House in Long Island by property mogul Aby Rosen, a managing member of the property.
Long Island mayor Fred J. Carillo has voiced residents’ concerns by stating: “It’s out of character with the neighborhood… The question is, does it belong in Old Westbury? Does it belong on a residential property?” Village officials claim that the work has been installed without the prerequisite permits and should occupy a part of the property not visible from the street. While the issue is resolved, the bronze monstrosity has been covered with black mesh so as not to cause further offence…
David Shrigley, ‘Nailed biscuit’, acrylic composite, nail, 2001
Hany Armanious, ‘Coin’, cast pigmented polyester resin, cast pigmented polyurethan resin, cast bronze, 2013
Here’s footage of a show by Sarah Lucas at Tramway in Glasgow that contains, among other things, 2.5 metre long sculptural erections, smashed up cars and an enormous wanking hand. Lucas was interviewed about the exhibition – her first solo in Scotland – by Teddy Jamieson from the Herald Scotland. Describing her more prurient interests she stated: “I’ve always found the penis a really useful sculptural thing. I’ve always said, ‘When in doubt … knob.’”
(Also worth noting is Tramway’s commitment to video documentation of its exhibitions – an excellent resource for those unable to attend a show in the flesh).
Ai Weiwei, ‘Droppin a Han Dynasty Urn’, 1995
Maximo Caminero has been charged with allegedly destroying an artwork by Ai Weiwei at the Perez Art Museum in Miami. The local artist picked up and smashed the million dollar work from Ai’s 2006 series Colour Vases in protest against the museum’s lack of local artist displays. He now faces felony criminal mischief charges. It’s a curious case of life imitating art; one of Ai’s most notorious works, Dropping a Han Dynasty Urn (1995) is a series of three silver gelatin prints featuring the artist doing just that. Describing his protest, Caminero stated: “I was at PAMM and saw Ai Weiwei’s photos behind the vases where he drops an ancient Chinese vase and breaks it. And I saw it as a provocation by Weiwei to join him in an act of performance protest.” The act was apparently spontaneous.
(And if you’re interested in seeing some of Ai Weiwei’s Colour Vases in the flesh, there is a suite of them in QAG/GoMA’s collection)