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- Istanbul Biennale curator Fulya Erdemci reconsiders Taksim Square as a site theartnewspaper.com/articles/Fears… 2 days ago
- Australasia represented at the curated exhibition at Venice by... Simon Denny only. Oh dear. overthenet.blogspot.com.au/2013/06/one-is… 2 days ago
- Super good or super bad? speakeasycinema.com.au/film/self-made/ 2 days ago
- Ryoji Ikeda at Carriageworks. Blowing my little mind. http://t.co/YhVBeJtgqt 5 days ago
- Tracey being gritty at AGNSW http://t.co/qAS5QrPUFd 5 days ago
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Monthly Archives: March 2012
Mike D, Curator
Beastie Boys member Mike D is trying his hand at curating thanks to LA MOCA Director Jeffrey Deitch, who has invited the rapper to curate an exhibition called Transmission L.A.: AV Club as part of a larger cultural festival at MOCA this April. And who is Mike D keen on showing? Word has it that he’ll be working with Swedish artist Klara Liden and the Brooklyn-based collective Still House, with further inclusions to be announced. One thing’s certain for the hip hopper: “I want a place where people can come and hang out” he says. ”Not some button-up white walls gallery with people to match”.
Posted in Art, Institutions, Music
Tagged Beastie Boys, Klara Liden, LA MOCA, Mike D, Still House, Transmission L.A.: AV Club
Maurizio’s Dirty Cover
The cover of Vice Magazine’s forthcoming Holy Trinity issue has been censored. Featuring a plunger, a stapler and a dildo, the questionable image was created by Maurizio Cattelan in collaboration with photographer Pierpaolo Ferrari. The offending member on the front of each magazine has been replaced by a large ‘dildo’ sticker in order to comply with the United States postal service’s censorship policy. Needless to say, the stickers have been materialising in strange places across America. Vice have posted their favourite dildo branded locations here.
Show with Hennessy
Henessy Youngman has launched an open call for submissions for his forthcoming exhibition at Family Business, a non profit space in NYC run by ‘retired’ artist Maurizio Cattelan and next year’s Venice Biennale curator Massimiliano Gioni. Youngman was originally invited to participate in the space’s inaugural exhibition guest curated by artist Marilyn Minter but decided he’d rather not make work of his own, instead delivering an open invitation for “big ass paintings, sh*t ass instagram photos and embarrassing poems” for his upcoming curated exhibition It’s a small, small world. All submissions will be accepted on site by Hennessy between March 30th and April 1st, with the resulting “shitshow” on display from April 3rd.
More Haring
Next week Brooklyn Museum will launch Keith Haring: 1978–1982, the first large-scale exhibition to explore the artist’s early career. To mark the occasion, the Keith Haring Foundation are posting page-a-day scans from the artist’s workbooks that feature in the show. Watch new scans materialise over the course of the exhibition here.
Last chance for Haring mural
On a trip to Melbourne in 1984, Keith Haring painted an outdoor mural on what was then the Collingwood Technical College. Since then – and despite being in the ‘care’ of the Victorian government – the work has fallen into a state of serious disrepair. With a proposed redevelopment of the site pending, the Victorian Government and Arts Victoria has implemented a Conservation Management Plan (CMP) that calls for the stabilisation of the mural in its current neglected state.
This initiative goes directly against the wishes of the late artist and his estate, who have publicly stated that they would rather see the mural repainted completely, thus restoring its colour and vibrancy (at considerably less cost to Victorian taxpayers than the proposed CMP). What doesn’t the Victorian Government understand here? Do they know better than the artist? His estate? His peers? To stabilise the work, Arts Vic must first have a permit approved by the Victorian Heritage Council. This process begins shortly and will offer the public one last opportunity to object to Arts Victoria’s plans. A petition has been started here and will be presented to the Arts Minister, Arts Victoria and the Heritage Council of Victoria - please sign it to stop the CMP.





